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2 Inventions From the Family Dog Posters 1960

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American music promoter

Chet Helms
Born

Chester Leo Helms


(1942-08-02)August 2, 1942

Santa Maria, California
Died June 25, 2005(2005-06-25) (aged 62)
Occupation Music promoter
Known for Ofttimes called the father of the "Summer of Honey"

Chester Leo "Chet" Helms (August ii, 1942 – June 25, 2005), often chosen the begetter of San Francisco's 1967 "Summer of Love," was a music promoter and a counterculture figure in San Francisco during its hippie period in the mid- to-late 1960s.

Helms was the founder and manager of Big Blood brother and the Holding Visitor and recruited Janis Joplin as its atomic number 82 vocaliser. He was a producer and organizer, helping to phase gratuitous concerts and other cultural events at Golden Gate Park, the properties of San Francisco'due south Summertime of Beloved in 1967, likewise equally at other venues, including the Avalon Ballroom.

He was the first producer of psychedelic light-evidence concerts at the Fillmore and the Avalon Ballroom and was instrumental in helping to develop bands that had the distinctive San Francisco Sound.[ane] Helms died June 25, 2005, of complications of a stroke. He was 62.[2]

Childhood [edit]

Chester Leo Helms was born in Santa Maria, California, the eldest of iii sons. His parents were Chester and Novella Helms.[3] Helms' father, a managing director at a local sugarbeet factory, died when his oldest kid was nine. Chet's mother, Novella, took the boys and their terminally ill father to Texas where her family, the Dearmore family resided. Later Chet's father passed away his mother studied to become a school instructor and took the boys to the Ozarks in southwest Missouri and taught schoolhouse in a ii-room schoolhouse. She taught 4 grades in one room and the other four grades were taught by another teacher in the other room.

Helms spent the residuum of his youth in Missouri and Texas, where he learned to organize events by helping to stage benefits for civil-rights groups. He enrolled at the University of Texas and became office of the music scene in that location, a scene that included a very immature and inexperienced Janis Joplin. Soon he dropped out of school and, inspired past the Vanquish Generation writers, Jack Kerouac and Allen Ginsberg to travel across America in search of freedom and inspiration, he set off wearing shoulder-length hair, bristles and rimless glasses[4] hitchhiking across the country. He concluded up in San Francisco in 1962.

Later he returned to Austin with his best friend at the time, Peter Haigh, to visit his friend Janis Joplin. He thought she could make information technology as a vocalist in San Francisco. Subsequently a week of partying, they persuaded Janis to drib out of school and hitchhike back to San Francisco with them. Later he would bring her to the attention of Big Blood brother and the Holding Company.[5]

Inflow in San Francisco [edit]

Afterward arriving in San Francisco in 1962, he scrounged a living in various ways, including selling marijuana, an occupation that acquired him to go to a boardinghouse at 1090 Folio Street.[6] The firm was in Haight-Ashbury, and so a rundown, low-hire neighborhood. Having met many musicians in his trade, and appreciating the vibrant music scene in San Francisco, he instinctively recognized the need for a forum for musicians to play music together. When he saw the large basement at Page Street, he began arranging jam sessions for the local bands and musicians. Helms, an astute organizer, made those sessions pop and started charging an admission fee of 50 cents.[7] His career equally a rock concert promoter began. Big Brother and the Holding Visitor formed and Helms functioned as their informal manager. He teamed up Janis Joplin with Big Blood brother for music sessions in the Haight-Ashbury basement.

Family Canis familiaris Productions [edit]

Founding [edit]

In February 1966 he formed a loose connection with the Family Dog, at 2125 Pine Street[eight] a hippie commune, which hosted dances and events.[9] [10] [11] [12] [thirteen] [14] [15] [16] [17] [eighteen] [19] [20] [21] [22] [23] [24]

Helms was the ideal person to help this group organize their presentations and he moved into the Family Dog house. Their offset formal product was a concert at Longshoremen'due south Hall.

In February 1966, Helms formally founded Family unit Domestic dog Productions to begin promoting concerts at The Fillmore Auditorium, alternating weekends with some other young promoter, Bill Graham. Helms was instrumental in introducing Bill Graham to the nascent music scene in the Haight Asbury District of S.F. Helms was nurturing when Graham caught wind of the excitement Helms was creating and promoting. As the concerts became more popular, inevitable "conflicts" arose between the ii promoters. Chet's style was "like shooting fish in a barrel-going, mellow, soft-tempered until pushed." Graham's way was hunger for success which could lead to money. Within a few months Helms secured the permits necessary to host events at the Avalon Ballroom, an old dancehall at 1268 Sutter Street, on the corner of Sutter and Van Ness. Big Brother and the Holding Company debuted in that location in June 1966. Afterward Helms would get them the appearance that made them famous, the Monterey Popular Festival where Albert Grossman spotted Joplin and offered her a contract.

Family unit Domestic dog Concerts [edit]

In the context of the Avalon'south "anti-business model" and loose ambience, Helms' Family Dog held a series of legendary concerts between April 1966 and November 1968, featuring a mix of artists, including rock, blues, soul, Indian, and rock and roll. They included:

Helms presented summit blues performers including Country Joe and The Fish; Howlin' Wolf; Bo Diddley; Muddied Waters; Little Walter; Buddy Guy; Junior Wells; the Paul Butterfield Blues Band; Buddy Miles; James Cotton Blues Band; John Mayall; Big Mama Thornton; Albert Collins; Steve Miller; Son Business firm; Mike Bloomfield; Elvin Bishop; Blues Project, with Al Kooper; John Hammond; Charlie Musselwhite; Siegel-Schwall Band; rock bands like The Doors; Buffalo Springfield; the Byrds; Bill Haley & His Comets; The Kinks;The Edwin Hawkins Singers; the Animals' Eric Burdon & State of war; The Mothers of Invention; Lovin' Spoonful; The Carlos Santana Dejection Band; Sir Douglas Quintet; the Soul Survivors; the Fugs; Blood, Sweat & Tears; The Association; Shorty Featuring Georgie Fame; Grateful Expressionless; Fe Butterfly; the Youngbloods, with Jesse Colin Young; Vanilla Fudge; Steppenwolf; Poco; Love, with Arthur Lee; sarode-player and Indian music teacher, Ali Akbar Khan; Sandy Bull; Blueish Cheer; the Leaves; New Riders of the Purple Sage; Barry McGuire; Flamin' Groovies; the Loading Zone; Information technology's a Cute Day; Joy of Cooking; the Grass Roots; the Sons of Adam; Sons of Champlin; Captain Beefheart; the Electrical Flag; Velvet Hush-hush; Pacific Gas and Electric; Moby Grape; the Sopwith Camel; 13th Floor Elevators; The Charlatans; Allmen Joy (run into http://wingswest.net); Mother Globe; Southern Comfort; The Ace of Cups; Tyrannosaurus Rex; Cleanliness and Godliness Skiffle Band; Flying Burrito Brothers; Congress of Love; Notes From the Hush-hush; Chrome Circus; Initial Shock; Oxford Circle; Daily Flash; Electric Railroad train; Sparrow; the Orchestra; Hourglass; Kaleidoscope; Mt. Rushmore; Other One-half; Phoenix; Lothar & the Hand People; Commander Cody; Cleveland Wrecking Company; The Rhythm Dukes; A.B. Skhy; Frumious Bandersnatch; 8th Penny Matter; Jimmerfield Legend; South Side Sound; Super Ball; Solid Muldoon; Box Top; and jazz artists Sun Ra and San Francisco's own John Handy; Charles Lloyd; the Jerry Hahn Brotherhood; and folksters Joan Baez; Dave Van Ronk; Jim Kweskin Jug Band; Taj Mahal; Tim Buckley and Flatt & Scruggs.

Family Canis familiaris Speakers/Poets/Heroes of the Hour [edit]

Sometimes Helms cast the music promoter role aside and the Family Dog would feature speakers, including Alan Watts, Dr. Timothy Leary, Stephen Gaskin, poet Allen Ginsberg, and other counterculture gurus. Helms is linked in San Francisco lore with Bill Graham, the Diggers, Emmett Grogan, Ken Kesey, Jack Kerouac, Gary Snyder, Lawrence Ferlinghetti, Michael McClure, Neal Cassady, Kenneth Rexroth, Ralph J. Gleason, and others.

The Family Canis familiaris Denver [edit]

In 1967, Helms and budding rock promotor Barry Fey agreed to open a Family Dog Productions concert dance hall in Denver, Colorado. They called it The Family Dog Denver, and brought in acts like The Doors, the Grateful Dead, Van Morrison, Jefferson Aeroplane, Buffalo Springfield, Chuck Drupe, and many others. The San Francisco psychedelic poster artists were deputed by Helms to practise posters for the shows. Petty has been known well-nigh the venue until the 2021 release of the documentary, The Tale of the Dog, which unearthed the story through interviews with the venue staff, bands, posters artists, attendees and Denver police, detailing the total history and lasting impact of "The Dog" for the start time.[25]

Artwork and Posters [edit]

To promote their concerts in both San Francisco and Denver, Family Dog published a series of innovative psychedelic posters, handbills and other ephemera, created by a group of prominent young San Francisco artists including Wes Wilson, Alton Kelley and Stanley Mouse (Mouse Studios), Rick Griffin, Steve Renick and Victor Moscoso.[26] [27] Often printed using intensely colored fluorescent inks, they typically featured a mixture of found images and specially drawn artwork. The posters of Griffin, Mouse and Kelly, in particular, were known for the intricate and highly stylized manus-lettering in which the concert details were written out, which sometimes took considerable fourth dimension and effort to decipher. Original Avalon posters are now collector'south items. In a slide show published with the obituary at the fourth dimension of Wilson's death in 2020, The New York Times included an apparent portrait watercolor of Helms—a book in the foreground has Helms' full name on it.[28]

Helms was also involved in joint productions/promotions at the Fillmore, Longshoreman's Hall, and Haight Street's Straight Theater (not all formal Family Dog Dance-Concerts).

Fashion equally promoter [edit]

While Graham was an aggressive businessman and professional promoter, Helms presented a philosophical and intellectual business approach. He was the visionary forth with Boots Houghston. He related easily to the San Francisco hippie subculture since, in essence, he was one of them. Information technology wasn't the coin he was after, that was the by-product of artistic talent; information technology was the creative unity of new emerging music sounds that enriched Helms and the customs he was talking to, which spread worldwide. The San Francisco Chronicle chosen Helms "a towering figure in the 1960s Bay Expanse music scene,"[ citation needed ] and indeed he was a huge contributor.

Helms embraced music for music'south sake and the Beat out-hipster-generation-turned-hippie philosophy. While the state of war raged in Vietnam and the nation coped with racial clashes and assassinations, the anti-war, anti-establishment youth thrived in the throes of a social revolution. Meanwhile, Helms was cranking out bands and musicians espousing the same lifestyle as this new audience, while giving the very singled-out impression that he was indifferent to money and commercial success.

His beneficial prototype could exist deceptive. According to Jay Ferguson of Spirit, Graham would negotiate shrewdly and frequently offer a lower fee to a band than Helms, merely when the concert was over, he would pay the band in full; Helms did not e'er do likewise. Some of the more serious bands (those not subsidized by trust funds) came to prefer Graham's difficult-nosed, businesslike approach. Graham did covertly help Helms financially at various times during the 1970s, keeping San Francisco in the fore every bit the West Coast Music mecca. Helms as well had a reputation at the Avalon of being a rather authoritarian stage managing director, one time (Apr 6, 1969) famously unplugging the Grateful Expressionless's stage amps when they played across their allotted hour, forcing them to complete Viola Lee Blues a capella.

The core San Francisco rock bands, Jefferson Airplane, Grateful Dead, Big Blood brother and the Property Company, Country Joe and the Fish, and Quicksilver Messenger Service (including pre-Dino Valenti), would play for both Graham'south concerts at the Fillmore Auditorium, and the Family Dog at Helms' Avalon dances.

Helms' shows were always more than relaxed and offered a pleasant alternative to Bill Graham Presents dances, at a more than reasonable admission, and with more room for the stoned, arm-waving type of solo dancing that personified the era. The nearby Mt. Zion Hospital kept a tardily-nighttime clinic to treat the many drug-overdose victims from the Fillmore.

Janis Joplin [edit]

To concertgoers, Helms' contributions to the music world, similar introducing a vocalist he knew in Texas, Janis Joplin, to the San Francisco music scene,[3] were not always well publicized, but witnessing the terminal production of Joplin, with her powerful performances, was a spectacle. First introduced as a new bandmember of Big Brother, she brought what the Grateful Expressionless, Quicksilver Messenger Service, and Big Brother did not seem at that point to have – a lead vocalizer to match Jefferson Airplane's Marty Balin and Signe Toly Anderson.

With Joplin as the lead singer, Helms became the group's manager[29] and introduced them on stage when they made their crucial advent at the Monterey Pop Festival in 1967, a performance that marked Joplin's elevation to national prominence.[four]

Evolution [edit]

Beak Graham Presents shows evolved more into high-power, professional lineups of amend-known headline bands that made him known as the tin-do guy that he was, while Helms, although managing to produce height-flight bands, all the same showcased bands that tended to be hipper and local. Helms didn't seem to have the need to hire zealous uniformed security guards, so teenagers found it easier to sneak into his dances. Helms ultimately allowed gratuitous admission subsequently midnight. The San Francisco Family unit Dog dances later re-emerged in a new location, the Family unit Domestic dog on the Bang-up Highway at the border of the Western World (its exaggerated sometimes heard full title) which opened in the summer of 69. Information technology was the former Ocean Beach Pavilion Ballroom turned Slot car rails that was right next door to the old skating rink and "Bull Pup Enchiladas" at Playland, Body of water Beach, at 660 The Great Highway in San Francisco's Richmond district.[30] [31]

In his career Helms used other locations like ventures in Denver,[32] [33] [34] Portland, and articulation productions/promotions at the Fillmore, Longshoreman'due south Hall, and Haight Street's Straight Theater (not all formal Family unit Canis familiaris Dance-Concerts), etc.

Later years [edit]

Helms left the concert business concern in 1970,[35] [36] except for managing a few later events: Tribal Stomp[37] at Berkeley'south Greek Theater (1978), Tribal Stomp II at the Monterey Canton Fairgrounds (1979), a concert serial at San Francisco'south Maritime Hall in 1995 under the Family Dog name, and a 30th Anniversary commemoration[27] of the Summer of Dear in Golden Gate Park (1997),[38] a free event attended by threescore,000 people.[39] [xl]

Helms became an accomplished art dealer,[41] selling American and European paintings[42] and sculpture at his Atelier Doré[43] [44] [45] art gallery on Bush Street in San Francisco, from 1980 until 2004.[46] Afterward suffering a mild stroke he died within days, on June 25, 2005.[47] [48] [49] [50] Helms is memorialized in a "bright niche decorated with photographs and memorabilia" at the Neptune Society Columbarium.[51] [52] [53] [54]

Fundraiser and Tribute concert [edit]

On July 24, 2005, a fundraiser and tribute concert to Chet was held at the Great American Music Hall in San Francisco. The show was organized past Dawn Holliday (Inappreciably Strictly Bluegrass Festival organizer), Roger McNamee (who put together a collection of posters from major bay area artists) and Pete Sears who was responsible for finding and organizing the musicians. Kathy Peck of the H.E.A.R. foundation organized the online sale. Pete Sears had been talking with Chet while he was sick in the hospital and offered to help get together a benefit to take care of some pressing bills Chet was concerned almost. Chet wholeheartedly gave the benefit his approval. The concert details were well underway and well-nigh artists in place when Chet died. They decided to deport on with the fundraiser anyway and turned the concert into a tribute to Chet. The bear witness sold out in merely a few days, leaving many lined upward outside unable to become in. Simply the concert obtained its primary goal which was to raise funds to pay off Chet's bills...all coin raised was given to Chet'south blood brother John. The concert was highly successful and featured such artists as: T Bone Burnett, Bob Weir, Mickey Hart, David Nelson, Country Joe McDonald, Leigh Stephens, Bobby Vega, Joli Valenti & Friends, and the Flying Other Brothers.

Chet Helms Memorial – Speedway Meadows, Golden Gate Park, San Francisco, October 30, 2005

Chet Helms Memorial [edit]

On October 30, 2005, San Francisco celebrated Helms' life with a gratuitous[55] nine-hour Sunday stone concert[56] in Golden Gate Park,[57] named the "Tribal Stomp"[58] attended by tens of thousands, and featuring a total lineup of bands, including the old cadre San Francisco rock bands, and others including: The Turtles, Canned Estrus, Dan Hicks (singer), the Charlatans, Country Joe McDonald, Barry Melton, Blue Cheer, Jefferson Airplane'southward Paul Kantner, "It's a Beautiful Day'"southward David LaFlamme, Quicksilver Gold (derived from Quicksilver Messenger Service), Lee Michaels, Lydia Pense Cold Blood, Pete Sears, Nick Gravenites (Electric Flag), Harvey Mandel, Jorge Santana, Narada Michael Walden, Merl Saunders, Moby Grape Jerry Miller, and Wavy Gravy (from Ken Kesey'southward "Merry Pranksters" fame).

See too [edit]

  • Family Dog at the Bully Highway, San Francisco, CA 4/18/70
  • Grateful Dead Download Serial: Family Dog at the Great Highway

References [edit]

  1. ^ "Joplin Director Chet Helms Dies". Billboard. June 27, 2005. Retrieved May twenty, 2006.
  2. ^ "Chet Helms Dies at 62; Male parent of San Francisco'southward Summer of Love". New York Times . Retrieved Dec 31, 2021.
  3. ^ a b Nelson, Valerie J. (June 28, 2005). "Chet Helms, 62; Concert Promoter in Bay Area During 1967's 'Summer of Love,' Propelled Janis Joplin to Fame". Los Angeles Times . Retrieved October 24, 2016.
  4. ^ a b Laing, David (June 27, 2005). "Obituary: Chet Helms Promoter of Janis Joplin". London: Guardian Unlimited. Retrieved May 28, 2006.
  5. ^ Amburn, Ellis (1993). Pearl: The Obsessions and Passions of Janis Joplin. Warner Books. ISBN0-446-39506-four.
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  22. ^ Issitt, Micah Lee (October 22, 2009). Hippies: A Guide to an American Subculture: A Guide to an American Subculture. ABC-CLIO. ISBN9780313365737 . Retrieved Oct 24, 2016 – via Google Books.
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  25. ^ "Hippie History: The Tale of the Canis familiaris Chronicles a Denver Stone Landmark". Westword. June 8, 2021. Archived from the original on June 8, 2021.
  26. ^ Arts; Times, amusement reports from The (February 26, 1987). "Art". Los Angeles Times . Retrieved October 24, 2016.
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  28. ^ "Wes Wilson Posters and Art" #20 of xx, The New York Times, January thirty, 2020. Retrieved 2020-02-22.
  29. ^ Nelson, Valerie J. (December 24, 2009). "James Gurley dies at 69; guitarist with Large Brother & the Property Visitor". Los Angeles Times . Retrieved Oct 24, 2016.
  30. ^ Family Domestic dog at the Smashing Highway, San Francisco, CA 4/eighteen/70
  31. ^ Grateful Expressionless Download Series: Family unit Canis familiaris at the Corking Highway
  32. ^ "Billboard". September 16, 1967. Retrieved Oct 24, 2016 – via Google Books.
  33. ^ "Pay Attention aka Spaceman Lithograph - Family unit Dog". archive.org. Archived from the original on May three, 2011. Retrieved October 24, 2016. {{cite spider web}}: CS1 maint: bot: original URL status unknown (link)
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  35. ^ "Summer of Beloved'southward father dies at 62". Associated Press. June 26, 2005. Retrieved October 24, 2016 – via The Guardian.
  36. ^ "Helms dies, anile 62. - Free Online Library". thefreelibrary.com . Retrieved October 24, 2016.
  37. ^ "Chet Helms Tribal Stomp past Family Canis familiaris". Amazon . Retrieved October 24, 2016.
  38. ^ La Ganga, Maria L. (September iii, 1997). "S.F.'due south Summer of Love Going Gray at thirty". Los Angeles Times . Retrieved October 24, 2016.
  39. ^ "The Chet Helms Chronicles". wordpress.com. May 5, 2008. Retrieved October 24, 2016.
  40. ^ "Chet Helms, aka Family Dog, celebrated forth with his era"
  41. ^ "60s-era Promoters Back in the Limelight". sfgate.com . Retrieved October 24, 2016.
  42. ^ "Citations: Art Galleries and Dealers, ..." mit.edu . Retrieved October 24, 2016.
  43. ^ Chandler, Robert J. (January 29, 2014). San Francisco Lithographer: African American Artist Grafton Tyler Brown. Academy of Oklahoma Printing. ISBN9780806145259 . Retrieved Oct 24, 2016 – via Google Books.
  44. ^ Atelier Doré; Hoeckner, Carl (July thirteen, 1984). "Atelier Doré - Poster :Not A Pretty Picture" - Carl Hoeckner (1883-1972) "The Yes Motorcar"" . Oakland Museum of California. Poster : Non A Pretty Picture / Carl Hoeckner (1883-1972) / Social Realism / July 13-July 27" / ... Reception: Friday, July 13, 1984, half-dozen pm / Atelier Dore Inc. / important American and European art / 771 Bush Street, San Francisco, California 94108 (415) 391-2423
  45. ^ Oct seven, 1983 - The painting in San Francisco is existence offered for sale by ... a gallery at 771 Bush Street
  46. ^ "Chet Helms ~ The Family Canis familiaris". altmanphoto.com . Retrieved October 24, 2016.
  47. ^ "Joplin Manager Chet Helms Dies". billboard.com . Retrieved October 24, 2016.
  48. ^ Aidin Vaziri and Jim Herron Zamora, "Chet Helms – legendary S.F. stone music producer," San Francisco Relate, June 26, 2005.
  49. ^ "Chet Helms -- celebrated S.F. rock music producer". sfgate.com . Retrieved October 24, 2016.
  50. ^ "Chet Helms Dies at 62; Father of San Francisco'southward Summer of Honey". nytimes.com. The Associated Printing. Retrieved Oct 24, 2016.
  51. ^ SF Relate, July 25, 2010. "Where to Find Celebrities' Resting Places" past Charlie Wells
  52. ^ "Chester Leo Helms 1942-2005". chethelms.org. Archived from the original on May 12, 2017. Retrieved October 24, 2016.
  53. ^ "'Mr Summer of Love' dies at 62". scotsman.com . Retrieved Oct 24, 2016.
  54. ^ "Revered father of 'Summer of Honey' dies in South.F. at 62". East Bay Times. June 26, 2005. Retrieved October 24, 2016.
  55. ^ Chet Helms Tribal Stomp 30 October 2005 Speedway Meadow Golden Gate Park - S.F. CA - SPCM-eight-(cardioid) >...> FLAC, details
  56. ^ 10, Mister (Apr 7, 2015). "Chet Helms Tribal Stomp 30 October 2005". musicitaly70.blogspot.com . Retrieved October 24, 2016.
  57. ^ "Chet Helms may exist gone, but enough hippie rockers are left to throw a Final Tribal Stomp". sfgate.com . Retrieved Oct 24, 2016.
  58. ^ "Chet Helms Memorial Concert, Golden Gate Park: Gratis Stone Concert October 30th". 2b1records.com . Retrieved Oct 24, 2016.

External links [edit]

  • Aidin Vaziri and Jim Herron Zamora, "Chet Helms – legendary S.F. rock music producer," San Francisco Chronicle, June 26, 2005.
  • Articles about Chet Helms - Los Angeles Times

millergragairehe.blogspot.com

Source: https://en.wikipedia.org/wiki/Chet_Helms

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